Guitars on the brink between reggae and manouche that mingle to the woodwinds’ warmth on a rythmic contraption made by drums; low frequencies entrusted to the sousaphone’s bragger and ruddy style, a procession tuba bass. This is the Veeblefetzer’s instrumentation, a roman quartet with a decisively recognizable and original sound. The band, to be listened and relistened, melds the blues’ atmospheres with the balkan and south american textures and a circus and pirate music. The team is composed by voice,…
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